http://players.brightcove.net/19012535001/default_default/index.html?videoId=1490891848001. A pretty nifty way of trying to impress your other half, that. Clue: not the ones who were going to start recording power ballads with their daughters in the video. AC/DC’s first album after the death of original singer Bon Scott proved none of that fire had gone out, and the title track was the purest example. Refine See titles to watch instantly, titles you haven't rated, etc. Sitting pretty between ‘Everything’s Gone Green’ and ‘Blue Monday’ in New Order’s early 80s run of astonishing singles, ‘Temptation’ is about as close as they came to a pop song at that point – there was just too much groundbreaking sonic exploration to get caught up in. All that “If the devil is six…” business was supposedly a jumbled reference to Hebrew numerology, a truly apocalyptic slant to the rest of ‘Monkey Gone To Heaven’ which has more immediate environmental concerns. https://www.youtube.com/watch?v=_E1-VOMxS6w. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. Whatever the truth was, it gave them their first US Number One and successfully managed to reinvent Van Halen as a synth-using pop rock band who weren’t afraid of massive, massive hooks. Though New Order’s dancefloor fillers were far removed from Joy Division’s bleak nihilism, there was a no nonsense approach to both that united Bernard Sumner, Peter Hook and Stephen Morris’ two ventures in direct and uncompromising brilliance. Chet Baker’s mournful trumpet solo – thought to be his last recorded performance – also added gravitas to the track. Extraordinarily, ‘Push It’ started out as a B-side to ‘Tramp’, relegated by a grind around an Otis Redding sample. 100 Best Films of the 80s by may_ouest | created - 26 Jan 2011 | updated - 26 Jan 2011 | Public Based partly on IMDB ratings and partly on amounts of awards especially Academy Awards and Golden Globes. ‘She Bangs The Drums’ saw the Roses tipping their caps to the ephemeral moments one has with a new sweetheart, with John Squire later comparing it to “staying up til dawn and watching the sun come up with someone you love.” The penetrating bass, and the ‘endless summer’ vibe of the music, expressed these emotions with perfect eloquence. 7,75 € 80er Jahre Box Various. Nirvana became one of the biggest bands on the planet in the 90s, but Kurt Cobain was already proving himself as a master craftsmen before that. Yeah, that important. Now that they’re the punchline to a million stadium-rock sized jokes, it’s easy to forget what made everyone first fall in love with U2 many moons ago – namely, big ol’ emotional rock ballads like this. Still groovy as a hepcat, ‘Sign ‘O’ The Times’ is stripped back like Sly Stone’s ‘Family Affair’; all the better to focus on a lyric that bemoans drug addiction, HIV and the damned space race. Between the 1986 vaudeville funk of ‘Parade’ and the following year’s state of the cosmos address, Prince had ditched The Revolution – in name at least – and set about taking full credit for his new clear-eyed vision. – but it’s hard to glean such subtleties when you’re being battered with a heavy metal sledgehammer. 100 Hits-Best 80s Album Various. “The song with no chorus” – that was how the Pet Shop Boys referred to this one on the quiet, but it had a bevy of other assets to offset that. And so it was with ‘Pacific State’, a mixture of sexy saxaphone skronking and brain-burrowing bass so relentless it could worm its way into your noggin and stay there forever more. The people of Britain were “getting angry”, and this was mirrored in the song’s haunting production and sense of dislocation. Faith No More’s blend of shuddering riffs and funk/pop tunefulness mixed playful absurdity with a knowing sense of drama. Welche anderen Artikel kaufen Kunden, nachdem sie diesen Artikel angesehen haben? Soured by vast overexposure at weddings and school discos, Kevin Rowland’s raggle-taggle hymn to a sepia past – and unseemly plea to cop a feel – is still an extraordinary fiesta of celtic soul. Add to that synthesized horns that actually work and a melody that’s bottled melancholy, and it’s another regal single from Tennant and Lowe. A shiny bauble of pure pop goodness from the fab four. Ex and future Eagle Henley has lost his lover and his direction, but hey – there’s still a lot of cash to be made. Hair metal’s unimpeachable high point. Despite the sweet ‘n’ sugary melody and big, glacial chunks of shimmering guitar, there’s a dark underbelly – the disturbing Lolita-like tale of the romantic frisson between a 5-year-old girl and her would-be suitor, who just so happens to be a 50-year-old bloke. https://www.youtube.com/watch?v=7q5WjYjzrEQ. But props, too, to Jon Bon Jovi and Desmond Child for their colossal chorus and some “gritty” blue-collar lyrics straight out of Springsteen for Dummies. But look at that Jesus Christ pose on the sleeve, listen to the talk of “sacrifice” – there was more going on here, and a killer middle eight to boot. What’s a Deadhead sticker doing on the back of some posh Cadillac? The track that sent ‘Thriller’ interstellar casts Jacko as an unlikely daddy in the dock – far-fetched, but apparently based on a real accusation from a crazed fan. REO Speedwagon - Can't Fight This Feeling (Official HD Video) Everyone saw sense soon enough and this pumping, hollering groove topped charts all over the globe. Quite a lot, but you get the idea. One’ and discovered the album only had an a cappella version of the track. Nowadays, the video looks at best naff and at worst a bit pervy, as Simon Le Bon and co hop aboard a speedboat and whip out their binoculars to ogle some bikini-clad beauties. For better or worse, ‘The One I Love’ was REM’s big push through the commercial barriers, a US top 10 hit transforming them in one fell swoop from floppy-haired college radio darlings to bald-bonced plane-trashing heroes of the glossy monthlies. None of that quiet-loud stuff here – ‘Debaser’ is full throttle throughout, celebrating Black Francis’s new favourite thing, Luis Buñuel and Salvador Dali’s surrealist, eyeball-slicing movie Un Chien Andalou. ‘You Made Me Realise’ is a pop song in essence, but around the hooks and riffs it’s a feat in discombobulation that’ll leave you dizzy whether you’ve packed your earplugs or not. The … The result was indie gold. Hier gibt es nur die größten Hits der 80s! It’s all drenched in strings, nostalgia and pathos as Moz starts filling up about greased tea and grey proms, spooning on the melodrama until we’re all remembering miserable holidays in the English rain. Yet with 1987’s ‘Music For The Masses’, Depeche Mode were in a rich vein of form, and ‘Never Let Me Down Again’ is one of their very finest: an ink-blotted masterpiece, from the gloomy synths right down to Dave Gahan’s molasses-rich vocal. Javascript is required to view shouts on this page. It introduced us to a chap with NHS specs, a superfluous hearing aid and a way with words not heard in British pop since – ooh – Ray Davies? A slice of Freudian autography, the deceptively simple music was played by the man himself. https://www.youtube.com/watch?v=2ChjLMbXVrU. This is Phil talking, and he believes what the old man said. It opened new vistas for the band, making them the stars they always knew they were. John Hughes’ classic teen flick gave ‘Pretty In Pink’ a new lease of life five years after its initial release – and also spurred the Furs into re-recording a fluffier, more radio-friendly version of the track, too – but it’s the jagged original that still sounds best, with Steve Lilywhite’s visceral production lending a dark edge to the strop-pop guitars. I Can't Go For That (No Can Do) - Single Version, How Am I Supposed To Live Without You - Single Version, Caribbean Queen (No More Love on the Run), Creative Commons Attribution-ShareAlike License. A sampling masterpiece from Bomb The Bass, aka producer Tim Simenon, who lays down an explosive foundation of bowel-slackening beats before weaving in random snippets of sound from, amongst others, Thunderbirds and The Good, The Bad And The Ugly over the top. ‘It’s A Sin’ is a riot of thunderclaps, chanting monks and villainous synth riffs from Chris Lowe, but that’s only half the story. Sometimes, single releases may be credited to Various Artists wh…, Warning! Go directly to shout page. We had New Order and Frankie Goes To Hollywood, U2, Prince and Cyndi Lauper, Springsteen, INXS, Bananarama, Duran Duran and the list goes on. It’s a shimmer that remains even as Curtis grips the microphone with increasing intensity. For most bands, this song would be amongst the weirdest in their arsenal; it’s testament to The Fall’s bizarre brilliance that it’s one of their most straightforward. Punk survivor Cherry sounded effortlessly in control as she rapped about her crew (based on the very real Buffalo crew), making the listener feel totally part of her world. Can you imagine Christmas without it? Released as a standalone single following their gargantuan 1989 debut, ‘Fool’s Gold’ saw Ian Brown serve up some mystic baloney while the rest of the band did the heavy lifting – Mani leading the tune, John Squire going all Sly and the Family Stone with his wah-wah licks, and Reni giving a ‘Funky Drummer’ masterclass that rendered all other baggy redundant. It would prove a natural fit for The xx ,who memorably covered the song years later. Perhaps its key trick was the slowing down/speeding up of the track mid song. Throw in Dre’s frightening production and ‘Straight Outta Compton’ was a threat people took seriously. Stephen Morris’s pattering drums rouse ‘Atmosphere’ from troubled slumber, while Bernard Sumner’s glittering, chiming keyboards give it a bright beauty. Of course, like all the best songs created from samples, it stood alone as a brilliant disco-dance number. Whatever happened to the hippie dream? Robert Smith’s beautiful slice of pounding acoustic-pop was a surging, multi-tracked work of wonder that continued the band’s run of brilliant singles, following ‘The Love Cats’ and preceding ‘Close To Me’. James Hetfield claimed this was about how taking shitloads of drugs makes it impossible to function as a normal human being – whodathunkit! “To die by your side/ Well, the pleasure, the privilege is mine” bears the hallmarks of classic Moz – overdoing it a bit, laying on the language – but there’s an unmistakable poignancy here. “No you can’t have it back, silly rabbit!” Flavor tells a journalist robbed of his Dictaphone. Seite 1 von 1 Zum Anfang Seite 1 von 1 . David Byrne’s genius lyric about melting away in suburbia (and the existential crisis that ensues) was one thing. And what a chorus. https://www.youtube.com/watch?v=XmSdTa9kaiQ. and Aerosmith broke down that wall in the ‘Walk This Way’ video, busting taboos and blurring the line between rap and rock. It’s become a tin-whistling, string-soaked standard that lost out on the festive No.1 to the mighty Pet Shop Boys but comes back for another crack year after year. In fairness, it’s not hard to understand their gripe – as soulful as Caron Wheeler’s vocal was, it’s the steely, condensed-breath production of Jazzie B and Nellee Hooper that’s its real calling-card. ‘Love Action’ boasts at least three warring synth riffs – from Ian Burden, Philip Adrian Wright and Jo Callis feeding his guitar through a Roland 700 – each of which could fuel a Top 3 hit by itself. Step past Don Henley and cohorts’ opulent 80s AOR production and there’s a song with a message here. But he didn’t like the sound of “Andalou” so switched it to “Andalusia”. Mixing spaghetti western guitar parts, a circular bass solo and lyrics that suggested complete nuclear annihilation, it was one of Blondie’s most experimental and jaw dropping singles. Creepy, but bloody brilliant all the same. But it was Rakim’s brilliantly humble rap that elevated this track into the realms of the truly legendary. https://www.youtube.com/watch?v=AWtCittJyr0. By the time ‘We Care A Lot’ smashed onto the radio, it ushered in a new wave of anti- poser, alternative metal that didn’t live or die on the number of virgins that had been sacrificed the evening before. Originally called ‘The Chemist Façade’, Madness’ most ridiculously happy tune was actually about the horror of going to the pharmacy to buy condoms for the first time. ‘Time After Time’ was demoed quickly in time for inclusion on her debut ‘She’s So Unusual’, and ended up being a key song for both Lauper’s career and the decade itself.